Movies That Made Me Say WOW: 2024

This list is my personal celebration of the films that left me in awe this year. It features 2024 releases, hidden gems unearthed from recent years, and timeless classics that never lose their magic. If a movie made me pause, think, or just say “WOW,” it earned a spot here.

Dune: Part Two (2024) – Denis Villeneuve. The emotional pull is undeniably stronger than in the first part, as the stakes are higher and the characters’ journeys become more intense. However, without the novelty of the first film, some of its imperfections are more apparent. One of the strongest critiques is the pacing, particularly in the middle of the film.

The complex political and philosophical layers of the story sometimes feel rushed or glossed over, leaving important subplots underexplored. While the film does a great job at showcasing its epic scope, the emotional depth of certain characters, such as Lady Jessica and the Fremen, could have been more fleshed out.

Barbie (2023) – Greta Gerwig. You heard about it, you probably watched it too. I loved it even though I wanted to hate it a little bit.

Red Rooms (2023) – Pascal Plante. A bold fusion of serial killer drama, cyber-thriller, psychological tension, and a touch of (sometimes heavy-handed) social critique. On paper, this mix shouldn’t work—but somehow, it does. The film keeps you hooked with its sharp storytelling and compelling atmosphere.

And let’s talk about Juliette Gariépy—her performance is unforgettable. I couldn’t help but fall in love with her portrayal, which brings an extra layer of depth to the film.

May December (2023) – Todd Heynes. It left me feeling confused, yet I couldn’t look away—its great acting and rich psychological depth were absolutely captivating. This is a film that demands a second viewing, and I have a feeling I’ll appreciate it even more the next time around.

There’s Still Tomorrow (2023) – Paola Cortellesi. This film masterfully balances seriousness with playful fourth-wall breaks and moments of fun, all while capturing and reflecting on a specific moment in time. While the storytelling shines, the music didn’t quite work for me—it felt out of sync with the film’s tone.

Poor Things (2023) – Yórgos Lánthimos. Brilliant in every sense. Controversial take: Max McCandless is one of the greatest villains here.

Nimona (2023) – Nick Bruno, Troy Quane. Like a wild ride at a theme park—using basic tropes and likely not aging too well. But despite that, I found myself saying “WOW” and getting emotionally moved. It definitely earns a spot on my list.

Anatomy of a Fall (2023) – Justine Triet. This film breaks the mold, keeping you hooked with its unpredictability and tension. Daniel, brought to life by Milo Machado Graner, is a standout—his performance adds remarkable depth and authenticity to the story. While it falls just short of achieving true masterpiece status, it’s undeniably a film worth your time.

Red Rocket (2021) – Sean Baker. A sharp, bittersweet look at America through the eyes of a washed-up adult film star trying to rebuild his life. It’s both hilarious and heartbreaking, showing how one man’s reckless choices ripple out to harm those around him. With its raw humor and biting sadness, the film captures the messy reality of flawed people chasing impossible dreams.

Dune (2021) – Denis Villeneuve. When I first watched Dune in the cinema, fresh off reading the book, it was nothing short of amazing—a truly immersive experience. Rewatching it before Dune: Part Two was still enjoyable, but it didn’t quite pack the same punch. This is a film made for the big screen; its full impact can only be felt in the cinema.

Succession (TV series). Succession may not be a movie, but it’s a masterpiece. No need for a deep dive—just trust the countless rave reviews online. It’s as good as everyone says.

Paterson (2016) – Jim Jarmusch. Beautiful slice-of-life film—poetic, simple, and quietly captivating. Every part feels just right, creating a unique watch. If you liked Perfect Days, you’ll enjoy this one too. Also, I was low-key scared of what would happen with the bulldog the whole movie.

Day of the Wacko (2002) – Marek Kotarski. Polish classic that blends humor and sadness perfectly. It’s both hilarious and heartbreaking, capturing the absurdity of life in a way that sticks with you. I think that mix of emotions is what I love most in movies, and this one nails it.

Suspiria (1977) – Dario Argento. A classic horror film with stunning visuals and unforgettable music. A must-watch for fans of the genre.

Carrie (1976) – Brian De Palma. With stunning visuals that feel ahead of their time, Carrie delivers a deeply impactful experience. Sissy Spacek is phenomenal, capturing both vulnerability and terror. While some parts of the plot and script feel a bit cheesy, the film’s intensity and style make it absolutely worth watching.

The Devil and the Nun (1961) – Jerzy Kawalerowicz. Masterclass in atmospheric storytelling. Drawing from Jarosław Iwaszkiewicz’s work, the film immerses viewers in the eerie isolation of an 18th-century monastery gripped by demonic possession. Kawalerowicz’s direction balances the psychological with the spiritual, creating a tension that lingers long after the credits roll. The performances, particularly in the role of the tormented Mother Superior Joanna, are deeply affecting.

Cockeyed Happiness (1960) – Andrzej Munk. The main character is both relatable and spiteful, making the movie compelling to watch. The film also stands out for its innovative and impressive videography.

The Word/Ordet (1955) – Carl Theodor Dreyer. Very moralistic and very Catholic, but it still manages to grab your attention. With small, subtle hints that make you question your predictions, it’s a masterclass in creating an intriguing plot. I hope it’s being taught in film schools as an example of how to build suspense and depth.